Aurobindo in Baroda

On Sunday morning it was Republic Day, the 26th January 2020. The streets in Baroda were quite. Several of the few vehicles we saw carried Indian national flags that fluttered proudly as they sped past us.

It was also quieter than usual at the Sri Aurobindo Nivas, the home where Sri Aurobindo lived while he was an official in the government of the princely state of Baroda and both professor and vice chancellor of what is now Baroda University. Aurobindo lived with his wife, Mrinalini in this house donated by the Gaekwad. After Baroda, Aurobindo and his wife moved to Calcutta. Later, he moved to the French colony of Pondicherry. After he arrived there, his wife followed him but she died suddenly on her way because of an acute infection (https://www.boloji.com/articles/13683/mrinalini-sri-aurobindos-forgotten-wife). I have written a bit about Aurobindo in Baroda in my book “Travels through Gujarat, Daman, and Diu” (published in India by pothi.com as “Gujarat Unwrapped). Here is what I wrote:

“Today, Sri Aurobindo is associated with ‘peace and love’ by many people, especially the crowds of Europeans who seek spiritual solace at his ashram in Pondicherry. While Aurobindo was working as a teacher in Baroda in the early 20th century, he was involved in Indian independence movements. Although he espoused peaceful methods, he was not averse to the use of violence. Jyotirmaya Sharma wrote in his book, Hindutva: Exploring the Idea of Hindu Nationalism, wrote: “It was at Baroda that Aurobindo took the first decisive steps into political life … Aurobindo clearly believed in the efficacy of violent revolution and worked towards organizing secret revolutionary activity as a preparatory stage for open revolt and insurrection…” In a biography, Sri Aurobindo for All Ages, its author Nirodbaran, who worked in close contact with the great man for twelve years, wrote: “When we asked him once how he could even conceive of an armed insurrection against the well-equipped British garrisons, he answered: ‘At that time, warfare and weapons had not become so lethal in their effect. Rifles were the main weapons, machine guns were not so effective. India was disarmed, but with foreign help and proper organisation, the difficulty could be overcome; and in view of the vastness of the country and the smallness of the regular British armies, even guerrilla warfare might be effective…”

After a year’s spell in Alipore prison in connection with his alleged involvement with some politically motivated murders in Bengal, Aurobindo settled in Pondicherry, and from then began espousing a spiritual approach to life. While living in that French colony, he continued to contemplate contemporary Indian issues, including that of the relationship between Hindus and Muslims. In late 1909, Aurobindo wrote: “Our ideal therefore is an Indian Nationalism, largely Hindu in its spirit and traditions, because the Hindu made the land and the people and persists, by the greatness of his past, his civilisation and his culture and his invincible virility, in holding it, but wide enough also to include the Moslem and his culture and traditions and absorb them into itself.” Jyotirmaya Sharma wrote: “Savarkar legitimately claimed paternity for the idea of Hindutva; but Hindutva could lay to an equally formidable patrimony in the thought of Dayananda, Vivekananda, and Aurobindo. What binds these four thinkers together is the systematic marshalling of a Hindu identity in the service of Indian nationalism.” Sharma quotes the following passage, written in 1923, from Aurobindo’s India’s Rebirth (a collection of writings): “It is no use ignoring facts; some day the Hindus may have to fight the Muslims and they must prepare for it. Hindu-Muslim unity should not mean the subjection of the Hindus. Every time the mildness of the Hindus has given way. The best solution would be to allow the Hindus to organize themselves and the Hindu-Muslim unity would take care of itself, it would automatically solve the problem.” And, in 1934, Aurobindo wrote: “As for the Hindu-Muslim affair, I saw no reason why the greatness of India’s past or her spirituality should be thrown into the waste paper basket in order to conciliate the Muslims who would not at all be conciliated by such a stupidity.”

The Sri Aurobindo Nivas, where Aurobindo lived until 1906 while he was an esteemed teacher and state official in Baroda, is a two-storey grand, mainly brick bungalow with European-style wooden window shutters. In 1971, the Government of Gujarat handed it over to Baroda’s Sri Aurobindo Society, which promotes the peaceful aspects of Aurobindo’s teachings and philosophy. The house is surrounded by a well-maintained garden. This contains an outdoor stone shrine, a flat marble table with a bas-relief of a lotus flower in its centre. The lotus was surrounded by a flower arrangement consisting of a circle surrounding a six-pointed star. The star with centrally enclosed lotus is a symbol of Sri Aurobindo, whereas the circle is the symbol of his spiritual partner, the Mother, who settled in Pondicherry in 1920. She was born Mira Alfassa (1878-1973) in Paris, of Turkish and Egyptian Jewish parentage. She became the founder of Aurobindo’s ashram in Pondicherry.

The ground floor of this typical colonial-style bungalow contains offices and a library, which was full of people reading at tables. The upper floor has carpeted rooms decorated with relics and portraits of Sri Aurobindo and the Mother. These two people are often depicted in their old age, but here at Aurobindo Nivas we saw a couple of portraits, hung side-by-side, showing both as young people. The rooms on the upper floor are used for silent meditation. People sit cross-legged on the floor and occasionally prostrate themselves, their foreheads touching the floor. Also, they stand up and touch the paintings and photographs of Aurobindo and the Mother in the same way as Hindu worshippers touch idols in temples.

There is a large well-tended lawn behind the bungalow. About twenty-five people were sitting on the grass on rugs, meditating and doing yoga. They were facing a boundary wall on which there is a large outline map of India as it was before Partition in 1947 (including what is now Pakistan and Bangladesh). In the centre of what is now India, there is the circular symbol of the Mother.” (end of extract).

After spending a pleasant hour in Aurobindo’s former residence, we took refreshments including south Indian filter coffee and dahi vada in the nearby three storey Canara Coffee House (founded 1950). Then we continued our exploration of the Sursagar Lake and looked for picturesque old buildings in the city. Many of the older structures, mostly residential usage, are rich in finely carved wooden decorative features.

By the time we had seen sufficient, the temperature was approaching 30 degrees Celsius – a contrast to the near zero conditions we had encountered earlier on our trip in places like Darjeeling and Mount Abu.

Back in Baroda again

I FIND THAT REVISITING PLACES IS often pleasurable. Some might say “familiarity breeds contempt”, but for me gaining familiarity with a city does the opposite, it increases my admiration and enjoyment. Baroda (aka Vadodara) in Gujarat is no exception.

After a frustrating morning trying to reserve tickets from Surat to Bombay at both the railway station and the central bus depot, we sought refuge at the peaceful Hazira Maqbara, the 16th century mausoleum containing the grave of Qutub-ud-Din Muhammad Khan. This large, domed octagonal structure is elegant and deserves to be regarded as one of the most important architectural monuments in Baroda.

Directly across the road from Hazira, there is a large sign for ‘Sunder Baug Towers’, a block of flats. A narrow path next to the sign leads to the Koyal Vav (Nightingale Stepwell). Unlike many of the more remarkable vavs in Gujarat, for example the Bai Harir and the Adalaj vavs in Ahmedabad, that have become protected but unused monuments, the Koyal is a far simpler structure but is still in daily use. Apart from its staircase, the brickwork of the stepwell and another wide diameter circular brick well very close by are in poor condition. A man, who saw me taking photographs, asked if we were tourists or whether we had come to repair the well.

A sheet of filthy corrugated iron barred access to the stairs leading into the vav. Soon after we arrived, a lady turned up. She moved the corrugated iron barrier, explaining that it was placed there to prevent animals from descending the steps and to deter humans from doing ‘sandaas’ (defaecation) in the well.

The stairs led to a brick archway over a rectangular pool containing murky grey water. Once, there had been another arch. It had spanned the staircase about halfway down to the water. It collapsed some time ago, leaving a small projection of brickwork as evidence of its existence.

The lady told us that people bathed in the vav for medicinal purposes. At least ten people bathe every day, and on Sundays many more. She said the water was good for healing skin boils. I looked at the liquid and felt that entering it was likely to cause one to develop boils, if not worse.

From Koyal Vav we drove to the Mandvi, the central point of the old city of Baroda. It is the place where the four roads from the four gates in the now demolished city walls met. The mandvi itself is a building that used to serve as a revenue or tax collecting place. This delightful old building stands in the middle of a busy traffic roundabout.

The popular small Karnatak eating house faces the mandvi. It serves south Indian vegetarian food: idlis, dosas, vadas, etc., but, sadly, not south Indian filter coffee (nor chhaas before March). I ate a tolerable but not brilliant dosa. The Karnatak is owned by a man who comes from Udipi in Karnataka.

We walked from the mandvi towards the Lehripura gate along a bustling street lined with small shops, including many jewellery sellers, and roadside stalls selling useful as well as decorative items.

We walked through a narrow alleyway, passing some slightly dilapidated, but decorative old houses adorned with intricate wood carvings, and reached a street parallel to the one we were on. This street is also full of shops. Overhead, cords stretched across the thoroughfare carried clothes and fabrics for sale.

We entered an attractive Jain derasa (temple), which was no more than 150 years old, but displayed many of the architectural and decorative features of much older temples. The main mahavir idol was made of white marble richly encrusted with shiny jewels.

We visited a Hindu temple nearby. Many of the idols in that temple were dressed in what looks like dolls’ clothing that is supposed to protect their dignity. The ceiling of the large dome above the verandah of the temple was lined with concentric circles, just as can be found in temples built many centuries ago.

The now disused Nyayamandir, a royal palace that once housed the old law courts, stands facing a square. One side of the square is lined with women selling cricket bats in all sizes and colours. One lady was busy sanding bats prior to polishing them.

We returned to our hotel for a rest. On our way we passed the Sursagar, a large man made lake. In the centre of this, there stands a tall metal statue of Shiva holding a fearsome looking trishul (trident).

Much of what we saw we had seen before, but seeing it again was far from repetitive; it was like viewing it with fresh eyes. We recognised places but discovered things we had not noticed before.

Eating spaghetti in Baroda

I ENJOY ITALIAN FOOD. Very occasionally, I discover Italian restaurants abroad that serve authentic Italian dishes, food that makes no compromises to non-Italian tastes.

Back in the 1980s, Giovanni’s in Chatham (Kent, UK) was an oasis of superb food in the then desert of mediocrity, the Medway Towns. Apart from other beautifully prepared dishes, his spaghetti with pesto was perfect. Unfortunately, Giovanni’s, a justifiably expensive place pf good taste, went out of business several years before I ceased practising as a dentist in the Medway Towns in about 1993.

Grahamstown in South Africa was another surprising place where, in 2003, we discovered a remarkably good Italian eatery rin by an Italian family. I do not remember its name but it was near where we were staying on Somerset (?) Street. I doubt tje restaurant still exists.

Manhattan is rich in Italian eateries. One which we visited by chance on a street in East 50s, was superb. I forget what we ate, but after we had eaten we read the reviews hanging on the window. We might have missed this restaurant’s gastronomic treats had we read the review which related that the establishment’s prices were “vertiginous”. The reviewer was not kidding.

When Unity Mitford was in Munich in the 1930s, she developed a crush on Adolf Hitler. His favourite restaurant in Munich was the Osteria Bavaria, an Italian restaurant, which still exists but has been renamed Osteria Italia. Unity used to sit in the Bavaria at a table near to that occupied by Adolf, and was often invited to join him and his dining companions. In the early 2000s, I had a meal at Adolf’s renamed restaurant, which has retained much of its original decor. The Italian food served there was magnificent. I was amused by the establishment’s apt motto: “In touch with history”.

One of the best Italian meals I have eaten in London was at Asaggi near Westbourn Grove. Another memorably good Italian place I have tried is Zafferano near Knightsbridge. I forget what I ate, but that evening Sean Connery also ate there as well as the shorter of the Two Ronnies (British comedians). Sean Connery ate in a private room, guarded by a waiter, who told us: “We ‘ave to be careful this evening. We don’t want no trouble with James Bond.”

In India, there are plenty of restaurants offering Italian inspired food, but most of them produce disappointing dishes. Chianti in Koramangala (Bangalore) is one notable exception. I have eaten there at least twice, always most satisfactorily. Their food is very close to authentic Italian cuisine. However, the branch of Chianti in MG Road is disappointing.

It was two visits to Baroda (Vadodara) in Gujarat that prompted me to write this piece. The Fiorella in a hotel in the Alkapuri district serves truly excellent Italian food. It was set up by an Indian chef, who had trained in Italy and worked in restaurants there for more than fourteen years. Ravichandra, who became a master chef in Italy, qualified to supervise the running of kitchens in Italian restaurants, was employed by the hotel in Baroda. His brief was to set up a restaurant serving Italian food that made no compromises to pander to local tastes.

Fiorella is the successful result. We first ate there in early 2019, when Ravichandra was in the kitchen. Then, we returned in January 2020, by which time he had left. We were sad to miss him, but overjoyed to discover that, even without him, the food is still a great gastronomic delight. It is a case of ‘when in Baroda, eat as the Romans do’.

Wood carving in Ahmedabad

POL

The old part of the city of Ahmedabad is divided into self-contained districts, like gated communities, called pols. Each pol has its own single gated entrance which gives sole access to a number of narrow streets. The narrow streets are lined by tall buildings, which together render the temperature of the pols at ground level far lower than the temperature in wider streets and open places in the city.

In times of trouble and strife, the gates of a pol can be closed to prevent intruders entering it. Secret passages lead from one pol to its neighbour(s). Pols have their own wells. 

Often a pol is inhabited by families that have something in common, for example religion, caste or profession.

One of the many delights of the pols in Ahmedabad (they are also found in Baroda) is that they often contain buildings decorated with intricately carved woodwwork decorative and stuctural features.

For tourists, a pol is not only a place that they can literally ‘chill out’ but also they can experience a valuable part of Ahmedabad’s living history.

Art school in Baroda

BARODA ART

 

This lovely old building surrounded by trees and other luxuriant vegetation stands on the campus of the Faculty of Fine Arts of the Sayajirao University of Baroda (Vadodara).

Here is an excerpt about this place from my book “Travels through Gujarat, Daman, and Diu”:

In 1935 to celebrate the diamond anniversary of his reign, Maharajah Sayajirao III Gaekwad set aside huge funds, both the state’s and his own, to create a university in Baroda. The Faculty of Fine arts, set in park-like grounds with many trees, is a part of this. The campus contains several buildings. The most attractive of these is an almost octagonal building surrounded by deep verandas with wooden balustrades at both ground floor and first floor levels. This building, which contains some studios, was constructed in the 1930s. Other buildings on the campus are newer, having been built after the Fine Arts Faculty was founded in 1951.

One of the joys of art schools in India, and that in Baroda is no exception, is watching students creating artworks in the open air, and seeing their completed creations exhibited outside. Many of the works on display demonstrate the great technical skills and lively imaginations of their creators. We saw many youngsters sitting in the shade of the trees, at work in their sketchbooks. There were plenty of great sculptures in the gardens of the Baroda art school, but no one was working on them outside. Maybe, it was too warm.

 

Travels through Gujarat, Daman, and Diu” by Adam Yamey

is available from Amazon, Bookdepository.com, Lulu.com, and on Kindle

 

 

An offering

mendicant

 

A man carrying hot coals emitting a fragrant smoke entered a small café early one morning in Baroda (Vadodara). He was offering blessings in exchange for a small financial donation. Without displaying any disappointment, he left without having been given any money.

In many religions, fragrant smoke provides a suggestion of holiness.

Salt

salt pan

Salt is an essential part of the human diet. In Africa, salt  produced by the Moors was transported across the Sahara Desert to salt-free Central Africa, where it was exchanged for gold. This shows how much salt is valued as a commodity.

On a recent bus trip between the two Gujarati cities of Baroda and Bhavnagar, we passed through a flat low-lying district not far from the sea (the Gulf of Khambat).  Along the way, we passed numerous white piles of salt recently extracted from the sea. These piles stand amongst pools of salty water that is evaporating in the hot sun. Although flat, the landscape is varied and fascinating.

Gujarat is the largest salt producer in India and the third largest in the world. Sadly, the salt workers, whose life is tough and dangerous, are poorly treated by their employers. According to the Indian Express dated April 26, 2016, the Government of the State of Gujarat is looking into ways of improving the lives of salt workers and their families.

A peculiar street object

Happy Valentine’s Day!

In the historic centres of both Ahmedabad and Baroda (Vadodara), there are a few very tall, several storeys high (higher than the buildings next to them), metal poles sprouting from the pavement. They are all topped with metalwork objects as illustrated in my photograph published below.

Most people, whom I asked, had no idea what purpose these poles and their curious apparatus served. I posted pictures of these tall poles on Facebook, and then received a number of suggestions as to what they might be. Most people, seeing the arrows, suggested that they may have been old weather vanes for determining wind direction, but I felt that this was an unlikely for these poles that look as if they were put up by a municipal authority.

One person I asked in a street in Ahmedabad thought that the poles had something to do with drainage, maybe ventilation. I quite liked that speculative reply because the spheres surmounting all of the poles have two short pipes attached to them.

Recently whilst looking at the Internet I came across a picture (see https://www.arcgis.com/apps/MapJournal/index.html?appid=4c10a18d5cfa4da486df492765c2ad54) like mine. The picture was taken in Ahmedabad and is described as a sewage gas vent. This tallies with what I was told by one bystander.

A sewage gas vent that might have rotated to catch the prevaing breezes seems to be a plausible function for these poles BUT I cannot yet be sure if this is correct.

If anyone reading this can enlighten me more, please drop me a line or two in the comments section of this blog.

Buzzing around Baroda

The best way to get around Baroda (now ‘Vadodara’) is by three wheeler autorickshaw (‘auto’). There are plenty of these nifty little vehicles for hire and although their drivers hardly ever use the meters, the fares are remarkably reasonable.

Unlike Bangalore, where the auto drivers are often argumentative and dodgy about fares, the drivers in Baroda are usually straightforward and friendly.

We have made a couple of long journeys in Baroda. As the auto drivers were uncertain about what to charge, they used their antiquated meters. These must have last been calibrated many years ago. According to such a meter, a journey of about 6 kilometres should cost 4 rupees and 20 paise. This is ridiculous because the shortest auto journey in Baroda costs 20 rupees today. The auto driver looks at his ancient meter and then, without looking at a conversion table, decides on a fee. We made the 4 rupee and 20 paise journey twice. Once, we were charged 100 rupees, and the other time 120. Both amounts are reasonable, and far less than you would pay in a Bangalore auto or a Bombay taxi.

I favour autos over cars for getting around cities in India. The former are far more manoeuvrable than the latter. This is vital in a city like Bangalore, where traffic is poorly managed. In Baroda, however, traffic flows brilliantly compared with Bombay or Bangalore.

Unless you have huge amounts of baggage, hop into auto in Baroda.

Large snakes

The Laxmi Vilas Palace in Vadodara was built for the Gaekwad (Maharajah) of Vadodara in 1890 to the designs of the British architects Charles Mant and Robert Chisholm. It covers an area four times as large as London’s Buckingham Palace. This Victorian era Indo-Saracenic pile is now one of the main tourist attractions of Vadodara. What little of it that visitors are permitted to explore of this pastiche of various Asian and European architectural styles is overbearingly impressive but not of great aesthetic value.

My main reason for visiting the palace was to see the Navlakhi Vav, a subterranean stepwell built in the 15th century. The stepwell has five levels of stonework galleries, all underground and one above the next. I was looking forward to exploring this, rather than the relatively uninteresting palace.

The official at the ticket booth for the palace compound told us that the ticket included access to the vav. He omitted to tell us that approaching this stepwell is now forbidden.

A security guard stands about 50 metres from the domes built above the vav. He told us that he would lose his job if he allowed us to go closer to the stepwells. Although his job was poorly paid, so he told us, it would be difficult for him to find another. He suggested that we returned to an office in the palace and spoke to a young lady whom we would find there.

When we explained my interest in stepwells to her, she accompanied us back to the guard, telling us that we could approach the outer walls of the stepwell but should not enter it. At present, she explained, the vav was not in good condition because stones kept falling from its structure. Additionally, the stepwell is currently infested by large snakes. She told the guard to take us to the structure. Although we could not enter the complex structure of the vav, we were able to see something of it over the low walls enclosing it at ground level. We could hear water splashing deep below us in the well in the deepest part of the stepwell.

The serpent infested vav is separated from where the guard stands by the tee of one of the 18 holes of the Laxmi Vilas golf course. We asked the guard whether the golfers, who had to stand close to the vav, were in any danger from the large snakes.

“No,” he replied in Gujarati, “they are not.”

“Why not?” we asked.

“Because they are members of the golf club,” the guard informed us.